-Because there's no better title at this time.-

I never thought I'd be able to drive. I couldn't figure it out, and as the hours went on I became convinced I'd be that anomaly in a world of automobile drivers to be inept at functioning behind the wheel. I started looking at how life would be without the luxury of a car, or even the capacity to operate one. I knew there were millions who could do it, but I'd never be one of them. I couldn't do it. I couldn't see myself doing it.

I've felt the same way about a lot of things. Marriage, giving birth. I don't think it's a low self-esteem issue, something like believing I'm not good enough for it. That's not the case, and I think that's something people tend to misunderstand about me. I'm not self-conscious. I mean yes, I have my moments were a feel pudgy or not so glamorous, but everyone does; it's human nature. I'd be lying to say I'm 100% satisfied with myself 100% of the time, but those are just moments, not layers of chronic self-deprecation. I don't underestimate myself. I once had a guy tell me there was no way guys wouldn't be interested in me--like he was trying to boost my self worth so I'd leave that "relationship" with him and enter the world confident in my ability to attract men.

I've never doubted that. I've never felt I wasn't good enough for a guy, I've never felt no one would ever want me.

I've been worried I won't find the right one.

I can't see myself being married, even as marriage becomes less of a child's perspective of what her parents did and what all the old couples in the ward did and more of a thing my friends do and things my friends talk about with their boyfriends/girlfriends, I can't see it happening. *Again, I remind you, it's not that I don't think I'm good enough to get married, it's the idea that the opportunity will never fully come, the idea never realized.* Which is absurd coming from a 21 year old who's only been in one 'official' relationship and has only been seriously on the dating scene for just over a year. It's ridiculous.

But I was reminded of it as I checked my facebook just now and saw a Junior High friend's pictures of the child she birthed nearly six hours ago, and I was awoken to the fact that I can't see myself having kids. I can't see that ever happening.

It's more than that. I can't see myself as a good improviser, I can't see myself as a competent missionary, I can't see myself as a theatre teacher, I can't see myself as an accomplished author, I can't see myself as a functioning adult in society with a working knowledge of politics and taxes and current events.

I can't see these things. I've set up this barrier that prohibits me from fully experiencing life. I've created a rule for myself to hold back and hesitate just a little, because you never know. I've let my existence be wrapped and warped in doubt.

And the only way I can think to get past it is to keep going. I've used it before, but I'll use it again. I couldn't see the Improvables letting me into the troupe after those auditions. So I didn't want to go. But I pushed through and went.

I need to stop thinking life is easy, or that I can make it easy by holding back. You'll never learn to drive the car if you don't sit and focus on what you're doing. You have to train yourself to understand. You have to train yourself to perform the task. It takes brainpower and concentration. It takes focus and effort. It takes the will to try, and actively doing it constantly. But one day you realize driving's not that hard, and you just needed to relax a little bit and give yourself time.

I can get married, I can have babies, I can become sufficient at improv, I can follow my dreams and accomplish them. To do so, I have to stop telling myself they need to be in the immediate foreseeable future, and I need to kick the nasty habit of waiting for "next time."

The Back-Handed Compliment

I thought when he said we could talk about it at the show that night it would be to ease my pain with a friendly hand on the shoulder and a few soft pats laced with the undertone that I was never really ever considered for the part, so it shouldn't be a surprise he had to email me with negative results.

And not negative in medical terms, meaning the disease isn't present. Not negative that way. Not really.

You can understand my surprise when the producer of the black box at the local community theatre approached me with a hesitantly sorrowful face that night and mouthed "Did you get your email?" before sweeping me into a gentle hug upon my Yes.

He started talking. Said after Saturday she was in first and I was in second, I listened, my mind remembering the four other girls up for the part at callbacks, but he was only talking about me and one other. Just two of five. "After Tuesday it all swapped. Your readings were so solid." My brain started to make sense of his monologue.

It was between me and one other. Just two.

"I was pushing for you but [the director] was pushing for her. And you were so close in everything that we had to go with looks. And I hate that because I've lost parts that way."

But she looked more like Thomas More's daughter than I did.

I don't have enough English blood for English looks.

I was chipper, I was flattered, I was understanding. It was enough to know I'd been considered. Especially so closely. I felt good about my callbacks, but I had no idea I was near the head of the group after that terrible first audition. But he looked at me and told me several times that I'd been good. I'd been really good. And so had she. So they had to go with who looked more familial.

And it was her.

But you can see how, letting it sink in further, I realized how disgruntling a situation this was. I'd been so close. I was so close. And I lost it for looks. I lost it for being blonde and blue eyed. I lost it for being round faced, not narrow faced. I'd lost it for factors beyond my control.

Don't get me wrong, I'm not angry and making voodoo dolls of the other girl. Nor am I curled up with the pint of ice cream my mom bought me for my birthday. I'm taking it with a grain of salt: a back-handed compliment of sorts. Knowing that I did my best, and that my best is better than I give myself credit for. I just wasn't meant for the role. Not this time.

There's a line in Tom Stoppard's Rosencrantz and Guildenstern Are Dead that keeps coming to mind: "Which is a kind of integrity, if you look on every exit being an entrance somewhere else."

I'm not meant to enter the role of Margaret More. I'm exiting from the stage for a while, metaphorically and literally, the enter into something else. Something that's more suited for me at this point of my life. It would have been amazing to do a beautiful drama like A Man for All Seasons. It would have been delightful to work with a different director and several new-found, good theatre friends. It would have been fun to wear those heavy, authentic 1600's costumes. It would have been, it would have been, it would have been.

But it won't be. Not for me. I don't need to be Meg. I don't need to enter here. I'm needed somewhere else.

I'm just waiting for the cue.

The Most Beautiful Day

"How is everyone today?"

"So good!"

"Wow. Why so good?"

I shrugged. "I don't know. I've kind of been irritated because I got up this morning and my shoe was broken but I'd already gone out the door so now I'm wearing a broken shoe and I'm just trying to convince myself it's a good thing."

Today has been the most beautiful day.

My new shoes of less than a month that I'd worn, prior to today, a grand total of once have a broken zipper on one shoe which leaves it functioning like a tissue box on my feet. I forgot my institute notebook today. A gal I know called me by my best friend's name. Someone told me I should donate blood. I was late to my acting class and they'd already started warmups without me. Construction workers broke the main water line to the one building on campus I was spending the rest of the day in, leaving all of the restrooms with signs reading "No water; please don't use" on the doors. I found out about free pasta after having lunched on a bag of mediocre pretzels. There are open spots for female parts in an original play reading for this Friday, and Friday is the only day this week I work. My music scene for my directing class filled up half as much time as I'd anticipated, leaving my music at an awkward cut-off point instead of rounding nicely to a close. And my shoes. Did I mention my shoes?

I don't know what it was about today, the pastel of the weather or one determined notion to be optimistic about a broken accessory, but today has been the most beautiful day.

There were blessings, yes, I'm not saying awful things just kept happening. I actually had to really dig in my memory for all the wrongs I just listed. I got to use my free institute parking pass today, the janitor waited until after I'd left the bathroom to do that creepy janitor knock, I talked with that cool girl in my institute class, received a free Caprice Sun, ran into that guy from my Spanish class not once but twice, gave feedback in Tracy's class to a fellow actor without feeling like Tracy thought I was an incoherent dullard, had an epiphany that saved my music scene thematically, caught Derek just in time to borrow his keys to get books from the prop hall for my epiphany, was chosen for Niki's music scene and got to have fun with some friends in pantomime, related my traffic patterns well enough for my "actors" to follow them, got a ride home with one of my best friends, was greeted at the gate by my two adorable puppies who couldn't wait to play with me, found something suitable at home for second lunch, watched an unseen and hilarious episode of Spongebob, went to the temple (in which there was zero crowding) and had one of the female workers tell me I had a beautiful spirit about me.

And how could I not when I'd just had the most beautiful day?

There's a wall on the outside of the Bountiful temple that runs with the sidewalk. From the right angle it looks as though the wall is solid, leaving you with no way to make a full circle around the temple unless you jumped another wall and used the manicured grass.

Taking a few steps forward, however, the wall opens up revealing a staircase to the other side of the building.

It's a matter of perspective.

I once sat on the west side of the temple pondering after a solitary baptism session, and decided to make a full circle around the temple on my way back to my car. I made it as far as the first picture, grunted in dismay that the sidewalk led nowhere, and headed frustrated back the way I'd come.

It wasn't until later, perhaps as I circled the temple in my car, that I noticed there was in fact a staircase; I just couldn't see it.

I wonder how often we glance down the path and see no benefit before us, so we stop walking altogether, unaware that should we take even a few steps the way will become clear and we can go where we desire to go without backtracking.

We discussed in institute today the chapters (1 Nephi 11-14ish. But for sure 11) in which it is revealed to Nephi the meaning of his father's dream regarding the Tree of Life. The teacher ended the class with a look at all the types of people found in association to the Iron Rod: those who will not touch it, those who loosely grasp it, those who cling to it and don't move, those who hold it but move the opposite direction of the tree, and those who grip it and move forward.

It's not enough to hold the rod. You have to move.

Faith can't take you anywhere, the Lord can't take you anywhere unless you pick up your feet and walk. Today was the most beautiful day because at some point I decided I would keep walking until I could see the beauty. And it wasn't long until I found it.

And the longer I walked, the more beautiful it became.

I hardly even know what this means.

"Grab your shovel." She said.

"Why?"

"We're going to need them when the rocks get deep."

After the rain when the grass gets slick and I wonder briefly how it'll react with my shoes, we trope into the trees with the shovels from the shed out back, nothing dry but our persons, the construction of the shed lending to frequent leaking. It starts again, it all starts up again. The digging and the groaning and general wondering why it is she drags me here, why it is we do this.

But we do. She hops over a mud puddle and shrieks through the trees. 

We do it. We do it all again.

"Grace." I mutter when she gets on hands and knees. Those stains from last rain still etched upon her clothes back at the house. She flashes back a smile, having forsaken the shovel, thrusting her hands into the dirt. I can feel the grit under my fingernails by watching her, ghost memories flinting past my eyes like gnats. It happened here.

"Grace." I say louder, watching her back muscles strain as she fanatically scoops the mud. "Grace!"

I realize I'm clutching my shovel; I look at it for a moment, the evergreen of the damp woods blurring into silence for a moment. I start up the trail past her, leaving her to toil with what's already been done.

It takes her a moment to catch me, her eyes still widened with that near maniacal gleam, confusion etched under the mud scaling her face. 

"We've done that one before." 

She watches me, follows me, her gaze calmed but still misunderstanding. 

"We've what?"

"We've done that one before!" I find myself frustrated at her as she stops short and slumps down. She looks at me, at my shovel, and sighs.

"Mine's still back there." Grace points with an unenergetic hand into the trees. 

Our eyes hold space for a long time, then hers start to flint down the hill. 

"We've done that one before."

"Can I go get it?"

"We've done that one before."

We're overlapping each other in speech, her eyes darting back the direction we've come with each alternate beat of her heart. She inches towards it.

"Just let me go get it."

"We've done that before, Grace."

"I'm just going to get it."

I wait a few hours, the sun's breached through the canopy, warming my body, drying my mud crusted grass stained shoes. I grab the old shovel and make a few attempts in the dirt at the base of the tree. We never get much progress, not when the ground dries, and not when she stays far behind. I weave back down through the trees, passing her in her digging, unaware that I'm there or that I know. It'll rain again, and she'll drag me out, but we won't make it too far. We never do. She likes where we've been more than where we're going. 

Even if all that's there is just dirt. 

Sometimes it may seem dark, but the absence of the light is a necessary part.

I could spend a few hours trying to vaguely poetically describe where I'm at right now, or I could quote Jason Mraz and save us all some trouble: "Over the horizon is another bright sky."(93 Million Miles). Dawn is breaking, everyone. Here comes the sun. Over the horizon is another bright sky.

The Sky Can Become Our Possibility

The other day I posted on Facebook that I'm once again suffering from a severe case of My-Life-is-Excellent-itus, because frankly, it'd been a good day.

And things keep getting better.

Anne Frank, and sadly I'm paraphrased because I haven't read her diary in some six years, said she would lay in bed and think about what had happened that day and how she'd responded and how she could fix mistakes or react better next time. She'd review her life.

I often review my life. And for a long while it's been the whole scope of things--how that one day playing with my grandma's neighbors in their backyard with their puppy affected me as a child and transferred into who I am as an *cough* adult. I write with metaphor and often it's based on those moments as a kid that seemed utterly insignificant but now stand out as something utterly important, even if it's just for the fact I remember them.

I was on a date, ironically shortly before the optimistic life realization. They may or may not be related. You can twist/interpret my words as you may. I was on a date and we, as happens on introductory dates, were divulging information about ourselves.

And I kept running out of things to say. I made it through Jason Mraz and Back to the Future and suddenly I was drawing blanks. I'm not interested in things. I don't have hobbies. I felt very much insufficient and pointless. And my lack of sharing, of taking advantage of this guy genuinely wanting to hear me brag about myself, has nagged me for the past few days. To the point that today when I was at work and suddenly remembered a moment in my grandma's neighbors backyard where we were playing house in their little shed and a bee swarmed us and we had to abandon the little red bowl in our haste to safety.

I realized that I have a life behind me. I have memories and interests and experiences that are uniquely mine and mean absolutely nothing to anyone I cross paths with. But that someday I'll have shared those things. Someday someone will know my pointless stories. And how can I give up a few hours into a date, believing I've got nothing more to disclose.


I wasn't going to talk about that. What I sat down to blog (or rather stayed awake to blog/delayed watching Arrested Development to blog) is that I'm not so much looking at the long-range scheme of things, such as those memories from a childhood at grandma's, but the more recent things.

I auditioned for Pickleville Playhouse (in Bear Lake) in March, I think, and had I made a show it would have entailed rehearsing in Logan and living in Bear Lake for the summer for performances, which I would get paid for. It was an interesting and very much desirable idea.

But it would mean going seasonal at work and holding off on any Bountiful/Centerville life I would possibly have had that summer.

So I started to make ultimatums.

-If I don't make Pickleville I'll get red highlights in my hair.
-If I don't make Pickleville I'll buy a pet rat.
-If I don't make Pickleville I'll go on a mission.

That's the truth. I'm not exaggerating.

I didn't make Pickleville. I made Improvables. I didn't make Pickleville. I made 12 Angry Jurors.

Today at work I ran into the previous PTA president at West Bountiful Elementary, the lady who hooked me up with the directing gig. She told me she wasn't next year's PTA president, but that I was coming back next year for the musical, that the producer-mom would contact me in the summer about picking a show.

I got an email with the Improvables June schedule and I'm playing a show at Playbills'.

My director for 12 Angry Jurors told me she thought I'd be a great theatre teacher and then gave me tips/suggestions/offered advice for when I get closer to finishing up.

Things are right. I'm not going on a mission, and that's alright. I'm majoring in theatre, and that's alright. That guy I worried soooo much about didn't want to date me but found someone else, and that's alright. I'm so at peace right now that I can't even describe it. I just...I know I'm where I need to be. I know I'm who I need to be. I know these things are falling in place and I'm welcoming them with open arms. I love that I can look back and see how I just needed time for the mission question to make sense, I just needed time to grow acclimated to the theatre department, I just needed time for the river of life to wash my concerns downstream and for the irrigation gate to drop, sparing me from wasting water on a relationship that wasn't a relationship and wasn't going anywhere. I needed to get my head past the clouds.

And now that I'm there I love looking down and seeing how perfectly logical the path was the whole time, and I can scoff at myself, whom I now perceive to be an ignorant elementary school girl, and my impatience to just press on. I love seeing what I couldn't, and the peace that comes from knowing no matter how horribly lost I felt at those moments, no matter how much it nauseated me at times, regardless of those nights I cried, I was never truly lost. I was never truly wandering aimlessly. I hate to be cliche, but there were footprints in the sand, carrying me. All things are calculated for learning.

I'm just doing what I'm here to do. I'm pressing on, unable to understand what's lurking in the clouds, but hoping with all my faith it's for my good.

And that's life. It's a sunny day that's slightly overcast, and some moments you find yourself bathed in shade, but you get past the cloud and the sun's still shining.

Even if I don't see it, the sun's still shining.

This is the Life

I keep wanting to post something but I'm not sure what I want it to be about exactly...

Often times I don't really plan what I say, it just stems from some place in my mind or my heart and somehow works its way into a vague poem that cohesively makes sense, or a short story that somehow has a moral.

That's kind of how I live my life. What happens happens; I don't really....try.

Take the piano for instance: I had a natural knack for it. My fingers were crafted to tickle the ivories, and they generally were good at it. My mind's connection to the muscle memory of playing a piece was very strong, and once I nailed it down I could whip it out at any moment at any speed.

I was good.

So I didn't practice.

Take my GPA for instance: I was kicked out of Honors English my ninth grade year because, being naturally gifted with words, I focused my energies on my weaknesses like science and math. So I didn't maintain the B grade level to stay in the class.

So they kicked me out. And other than one terrible science grade my ninth grade year, my lowest grades--college included--are in English courses.

Because I don't try.

I fell for the system of blogging because when it comes to writing I'm not one for revision. With few exceptions, when I write something I consider it completed and publishable in that exact moment. With a blog I can do that. I can write something and send it into the world seconds later. I don't have to think about it. I don't have to try.

Even now I don't know what exactly it is I'm getting at. I'm just writing.

That's why I hated literary criticism and analyzing poetry and what not. Because to me, people wrote the way they read, people wrote the way I wrote, which was the way I read. It's late so let me repeat that sentence in another way: I always imagined the author took as much thought to write as it took me to read. I don't know what's coming, I discover it the farther down the page I go. So, obviously, must the writer upon penning it.

I viewed writing as more of an archaeological work, slowly dusting off evidence by degrees, never truly aware of what was being uncovered until at last there lay a skeleton of sorts. And in that moment every little aspect prior to would make ultimate sense. The work would be completed, understood, and beautiful.

And for me, quite often, it works that way. Spoiler alert, the prose piece that was published in Weber's undergraduate literary book Metaphor was one of those instances where I sat and wrote, and as the end came I realized all the symbolism with the cold hands and a reserved, almost cold life, and the bright vivacious man warming my hands both metaphorically and literally.

That's one reason it's one of my favorite things I've written lately. Because it somehow resulted in so much meaning.

I don't plan my writing. Which is why it hurt when the words went away last year. For so long the one thing that had always been near effortless was suddenly a barren wasteland I couldn't cross. And I kept wanting to talk about it, write about it, but the words weren't there. There were never enough words, and they wouldn't file into place the way they used to, gathering together at the close to mean something more than the stammerings of a young adult.




I'm tired and sick of this post.

I keep coming back to the diner. I guess I'll write it. maybe the words know something I don't.



I watched her from my seat at the bar, feet dangling, one hand holding my chin up in the way I keep assuming is sexy; I don't know how I'd fare if someone told me it was otherwise. She didn't seem to notice me, and I didn't seem to mind. Not everyone you recognize needs to be verbally acknowledged. Sometimes it's enough to stare from a distance for a moment or so and then calmly return to the life you developed in their absence, knowing full well they would do the same. Some bridges don't burn, they just get overgrown, and you wonder what the trouble would be in moving the foliage and crossing once more. Sometimes you think to take the risk.

And sometimes you make it halfway and change your mind, allowing the underbrush to envelop the faded wood boards again, sucking that piece of your past back into the recesses of the forest of your mind where you now fail to tread.

But I didn't need that with her. I didn't need to contemplate the bridge. I knew her well enough, remembered her well enough, even with a bridge left dilapidated and forgone. I hadn't even realized I'd crossed the bridge, really. It had taken until seeing her to realize how far we'd come, my feet and I, how much distance lay between us and that once field of green. I had an image of myself, back then. A vision of perfection, what "adult" me would entail, and it took seeing her, across the greasy diner in the booth that should be hosed down, to realize I'd reached that moment. I'd become that vision, else why would I see myself as such a distant figure? Else why would I see what used to be me sitting in an awkward solitude by the window?


It hit me this weekend, and today, but so expediently on Friday, when suddenly every thread was cut. Suddenly all the safety nets that tethered me to that frightened chubby girl hiding in a Jason Mraz tee shirt were broken and dangling as memories from the four gray walls that suspended me. Suddenly my limitations were nothing. Suddenly the expanse before me was more vast and beautiful than it had ever been.

Suddenly I...was alive.

I forgot until this moment: there's a scene in Home Alone where Kevin yells out "I'm not afraid anymore! Do you hear me? I'm not afraid anymore!" (and then he sees the creepy shovel dragging neighbor and runs away screaming).

But my life has reached that moment. The Macaulay Culkin in my mind keeps yelling "I'm not afraid anymore! Do you hear me? I'm not afraid anymore!" and I can't help but feel it with each breath. It's invigorating, this concept of being alive. This ability to share what's on my mind with anyone nearby, not questioning how they'll interpret what I'm saying, but simply saying it as though they've known me for ages. It's not caring if my odd dancing scares boys away, but embracing that this is how I'm happy in a movement setting. It's not chickening out when the attractive mid-twenties man from corporate talks to you briefly and not shying away from asking if he's single. It's taking the moment you have and making the best of it. It's not waiting for the "next time" that won't happen or won't happen the same way. It's being grateful for all my big mistakes as much as I am for all the little blessings, because each makes me what I am. It's knowing there's someone out there who will accept all of me, and that hiding it won't keep hurt from happening. It's understanding that hurt happens, that love isn't right the first time, that people can say things they possibly mean and everything can look good on paper, but when it comes down to it it just doesn't work.

It's believing that something will work. It's hoping that I can have all I want and deserve in this lifetime, that God won't let me be the crazy rat lady because I think varmints are adorable and I'm allergic to cats. It's throwing caution to the wind. It's living the way he does, maybe not exactly, but enough to feel the breeze. It's accepting what I am and embracing what I want, and greeting the universe with this understanding, and paying it forward and keeping from bottling it up. It's about being present and in the now and ready for destiny, even if it's just so I can make another mistake.

It's making mistakes and taking truths from the ashes of my expectations. It's moving forward, living up, making mountains.





Sometimes songs don't directly apply unless you're me. But I love this song so I'm embedding it anyway.