"I don't believe in signs, Erica."
I faltered mid sentence and glanced at her briefly before turning back to the road. "You don't believe in signs?" I had to assure I'd heard her right.
"No. You're always talking about things like they're signs and I don't believe in signs."
Perhaps it's my innate skills of word working that has me constantly searching for deeper meaning in the text of life. Perhaps, in the way more analytical folks see patterns and numbers in the day to day things, writers and dreamers search for the metaphor within. That's what separates the disciplines; empirical vs spiritual. The deduction of how things work rather than why things work and what it all means. It's the artist in me. It's the religionist in me. It's what keeps me optimistic--my constant search for a clue of destiny, fate, the best to come.
There are moments in my life where I've felt what I believe to be pure peace, true joy, perfection even. But these moments are just that, moments, so the teaser of possibilities fades away, appearing only so I'll recognize it when I do finally stumble upon it. They'd come when I would read. I got into "chapter books" and novels in elementary because they made me feel something; dropped me in this world I didn't know about, took me places, had me experience things I never did. I would feel free, liberated, carefree, alive. It happens when I listen to Jason Mraz after any amount of time without hearing his angelic tones. It happens when I take the stage under another person's name. But it never stays. The book ends and it's over, the song ends and I'm empty, the show's done and the character evaporates into the vapor cloud that possessed me. I've wanted to capture it for years. I started writing a book in ninth grade that was/is titled in all my saved documents of it "carefree summer," because I wanted to write a book that embodied that feeling, that breezy life they always had in books (breezy naturally meaning feel-good, not simple and without adversity). I wanted to harness that peace, that joy, and maybe give myself the ability to keep it otherwise.
I've been muddled the past couple weeks. The semester is progressing, I'm growing more established in the new routines of my job at a credit union, the elementary school musical I'm directing is coming to the apex, and I don't know what I'm doing with my life.
I want to teach theatre. I won't find a job in that. I won't get paid for it. And should I be lucky enough to score a spot in the field, it's not a job I leave at work. Theatre doesn't stop, especially when you're the one running it all. I don't want to teach English. I'd be good at it. I can see that, but I've never wanted to, that's never been my desire. I want to write. I want to change my double major to creative writing and learn the things I really want to know to accomplish that part of my dreams. I won't find a job in that. If I happen to write something worth publishing, it's not going to rake in billions of dollars unless it somehow becomes the next teen fandom. I want to go on a mission, but I don't want to quit this job and lose that money and drop my schooling and....
Everything's just felt so wrong. Like the credit union was a mistake. Like taking generals this semester to get my associates done was the wrong course. Like I should have stayed home today.
But not this week. I can't pinpoint the exact moment it happened, but I'm going to guess it started Monday. I drove out to Ogden, and now that I do that regularly I've grown tired of the one CD I've been listening to for a couple weeks, when it usually takes a month or so before over-kill settles in. I popped in a recording of a Pickleville Playhouse melodrama and listened to the music and selected scenes of dialogue from the show, my insides burning with this excitement and happiness.
And it hasn't stopped all week. I'm addicted to it, to this feeling of feeling good. I can't get enough of this carefree summer, and other than the minor set back when an elementary school student left me a rather insulting note, this feeling hasn't gone away. I've gone from school to work to Friendsday to rehearsal to a live theatre production to lounging in my friends' apartment/duplex, and it hasn't gone away. I've been swarmed in this carefree summer all week, and I don't know what I did to get it, but it suddenly occurred to me I'm living that life I've been craving from the beginning. I'm at that point of peace and joy.
So I'm living in it. I'm taking it as a sign that things are right, here. That I'm where I'm meant to be standing regardless of what I thought now would look like. I'm taking this moment for all it is. And next semester can come when it comes. My next show will come when it's time. A mission will come when it's right. I don't need to plan ahead or worry about tomorrow. I need to lift where I stand in today and keep this carefree summer before it goes away.
Showing posts with label living in the moment. Show all posts
Showing posts with label living in the moment. Show all posts
Sunday, February 9, 2014
Friday, August 23, 2013
Throw Away Genius
Improv is teaching me a lot about life. For instance, the things I do or say don't matter after I've done or said them. It's become past action; it is of no benefit to beat myself up over how I could have done that better or responded differently to my fellow actor. I cannot fix it. The best I can do is acknowledge things could have been different and make a mental note for next time. To succeed in improv, to succeed in life, you have to pay attention to what's happening around you, you have to listen to your surroundings, and react as best you can in the minimal time you're allotted. No two situations will ever be the same. You can never fix what happens. The thing with scripted theatre is if I screw something up I can say "Next time," knowing that next time I have the ability to execute things in the effective way. Life and improv are unscripted. I can only count my losses and hope "next time" I'm more focused on what I need to do.
Tuesday, May 14, 2013
This is the Life
I keep wanting to post something but I'm not sure what I want it to be about exactly...
Often times I don't really plan what I say, it just stems from some place in my mind or my heart and somehow works its way into a vague poem that cohesively makes sense, or a short story that somehow has a moral.
That's kind of how I live my life. What happens happens; I don't really....try.
Take the piano for instance: I had a natural knack for it. My fingers were crafted to tickle the ivories, and they generally were good at it. My mind's connection to the muscle memory of playing a piece was very strong, and once I nailed it down I could whip it out at any moment at any speed.
I was good.
So I didn't practice.
Take my GPA for instance: I was kicked out of Honors English my ninth grade year because, being naturally gifted with words, I focused my energies on my weaknesses like science and math. So I didn't maintain the B grade level to stay in the class.
So they kicked me out. And other than one terrible science grade my ninth grade year, my lowest grades--college included--are in English courses.
Because I don't try.
I fell for the system of blogging because when it comes to writing I'm not one for revision. With few exceptions, when I write something I consider it completed and publishable in that exact moment. With a blog I can do that. I can write something and send it into the world seconds later. I don't have to think about it. I don't have to try.
Even now I don't know what exactly it is I'm getting at. I'm just writing.
That's why I hated literary criticism and analyzing poetry and what not. Because to me, people wrote the way they read, people wrote the way I wrote, which was the way I read. It's late so let me repeat that sentence in another way: I always imagined the author took as much thought to write as it took me to read. I don't know what's coming, I discover it the farther down the page I go. So, obviously, must the writer upon penning it.
I viewed writing as more of an archaeological work, slowly dusting off evidence by degrees, never truly aware of what was being uncovered until at last there lay a skeleton of sorts. And in that moment every little aspect prior to would make ultimate sense. The work would be completed, understood, and beautiful.
And for me, quite often, it works that way. Spoiler alert, the prose piece that was published in Weber's undergraduate literary book Metaphor was one of those instances where I sat and wrote, and as the end came I realized all the symbolism with the cold hands and a reserved, almost cold life, and the bright vivacious man warming my hands both metaphorically and literally.
That's one reason it's one of my favorite things I've written lately. Because it somehow resulted in so much meaning.
I don't plan my writing. Which is why it hurt when the words went away last year. For so long the one thing that had always been near effortless was suddenly a barren wasteland I couldn't cross. And I kept wanting to talk about it, write about it, but the words weren't there. There were never enough words, and they wouldn't file into place the way they used to, gathering together at the close to mean something more than the stammerings of a young adult.
I'm tired and sick of this post.
I keep coming back to the diner. I guess I'll write it. maybe the words know something I don't.
I watched her from my seat at the bar, feet dangling, one hand holding my chin up in the way I keep assuming is sexy; I don't know how I'd fare if someone told me it was otherwise. She didn't seem to notice me, and I didn't seem to mind. Not everyone you recognize needs to be verbally acknowledged. Sometimes it's enough to stare from a distance for a moment or so and then calmly return to the life you developed in their absence, knowing full well they would do the same. Some bridges don't burn, they just get overgrown, and you wonder what the trouble would be in moving the foliage and crossing once more. Sometimes you think to take the risk.
And sometimes you make it halfway and change your mind, allowing the underbrush to envelop the faded wood boards again, sucking that piece of your past back into the recesses of the forest of your mind where you now fail to tread.
But I didn't need that with her. I didn't need to contemplate the bridge. I knew her well enough, remembered her well enough, even with a bridge left dilapidated and forgone. I hadn't even realized I'd crossed the bridge, really. It had taken until seeing her to realize how far we'd come, my feet and I, how much distance lay between us and that once field of green. I had an image of myself, back then. A vision of perfection, what "adult" me would entail, and it took seeing her, across the greasy diner in the booth that should be hosed down, to realize I'd reached that moment. I'd become that vision, else why would I see myself as such a distant figure? Else why would I see what used to be me sitting in an awkward solitude by the window?
It hit me this weekend, and today, but so expediently on Friday, when suddenly every thread was cut. Suddenly all the safety nets that tethered me to that frightened chubby girl hiding in a Jason Mraz tee shirt were broken and dangling as memories from the four gray walls that suspended me. Suddenly my limitations were nothing. Suddenly the expanse before me was more vast and beautiful than it had ever been.
Suddenly I...was alive.
I forgot until this moment: there's a scene in Home Alone where Kevin yells out "I'm not afraid anymore! Do you hear me? I'm not afraid anymore!" (and then he sees the creepy shovel dragging neighbor and runs away screaming).
But my life has reached that moment. The Macaulay Culkin in my mind keeps yelling "I'm not afraid anymore! Do you hear me? I'm not afraid anymore!" and I can't help but feel it with each breath. It's invigorating, this concept of being alive. This ability to share what's on my mind with anyone nearby, not questioning how they'll interpret what I'm saying, but simply saying it as though they've known me for ages. It's not caring if my odd dancing scares boys away, but embracing that this is how I'm happy in a movement setting. It's not chickening out when the attractive mid-twenties man from corporate talks to you briefly and not shying away from asking if he's single. It's taking the moment you have and making the best of it. It's not waiting for the "next time" that won't happen or won't happen the same way. It's being grateful for all my big mistakes as much as I am for all the little blessings, because each makes me what I am. It's knowing there's someone out there who will accept all of me, and that hiding it won't keep hurt from happening. It's understanding that hurt happens, that love isn't right the first time, that people can say things they possibly mean and everything can look good on paper, but when it comes down to it it just doesn't work.
It's believing that something will work. It's hoping that I can have all I want and deserve in this lifetime, that God won't let me be the crazy rat lady because I think varmints are adorable and I'm allergic to cats. It's throwing caution to the wind. It's living the way he does, maybe not exactly, but enough to feel the breeze. It's accepting what I am and embracing what I want, and greeting the universe with this understanding, and paying it forward and keeping from bottling it up. It's about being present and in the now and ready for destiny, even if it's just so I can make another mistake.
It's making mistakes and taking truths from the ashes of my expectations. It's moving forward, living up, making mountains.
Sometimes songs don't directly apply unless you're me. But I love this song so I'm embedding it anyway.
Often times I don't really plan what I say, it just stems from some place in my mind or my heart and somehow works its way into a vague poem that cohesively makes sense, or a short story that somehow has a moral.
That's kind of how I live my life. What happens happens; I don't really....try.
Take the piano for instance: I had a natural knack for it. My fingers were crafted to tickle the ivories, and they generally were good at it. My mind's connection to the muscle memory of playing a piece was very strong, and once I nailed it down I could whip it out at any moment at any speed.
I was good.
So I didn't practice.
Take my GPA for instance: I was kicked out of Honors English my ninth grade year because, being naturally gifted with words, I focused my energies on my weaknesses like science and math. So I didn't maintain the B grade level to stay in the class.
So they kicked me out. And other than one terrible science grade my ninth grade year, my lowest grades--college included--are in English courses.
Because I don't try.
I fell for the system of blogging because when it comes to writing I'm not one for revision. With few exceptions, when I write something I consider it completed and publishable in that exact moment. With a blog I can do that. I can write something and send it into the world seconds later. I don't have to think about it. I don't have to try.
Even now I don't know what exactly it is I'm getting at. I'm just writing.
That's why I hated literary criticism and analyzing poetry and what not. Because to me, people wrote the way they read, people wrote the way I wrote, which was the way I read. It's late so let me repeat that sentence in another way: I always imagined the author took as much thought to write as it took me to read. I don't know what's coming, I discover it the farther down the page I go. So, obviously, must the writer upon penning it.
I viewed writing as more of an archaeological work, slowly dusting off evidence by degrees, never truly aware of what was being uncovered until at last there lay a skeleton of sorts. And in that moment every little aspect prior to would make ultimate sense. The work would be completed, understood, and beautiful.
And for me, quite often, it works that way. Spoiler alert, the prose piece that was published in Weber's undergraduate literary book Metaphor was one of those instances where I sat and wrote, and as the end came I realized all the symbolism with the cold hands and a reserved, almost cold life, and the bright vivacious man warming my hands both metaphorically and literally.
That's one reason it's one of my favorite things I've written lately. Because it somehow resulted in so much meaning.
I don't plan my writing. Which is why it hurt when the words went away last year. For so long the one thing that had always been near effortless was suddenly a barren wasteland I couldn't cross. And I kept wanting to talk about it, write about it, but the words weren't there. There were never enough words, and they wouldn't file into place the way they used to, gathering together at the close to mean something more than the stammerings of a young adult.
I'm tired and sick of this post.
I keep coming back to the diner. I guess I'll write it. maybe the words know something I don't.
I watched her from my seat at the bar, feet dangling, one hand holding my chin up in the way I keep assuming is sexy; I don't know how I'd fare if someone told me it was otherwise. She didn't seem to notice me, and I didn't seem to mind. Not everyone you recognize needs to be verbally acknowledged. Sometimes it's enough to stare from a distance for a moment or so and then calmly return to the life you developed in their absence, knowing full well they would do the same. Some bridges don't burn, they just get overgrown, and you wonder what the trouble would be in moving the foliage and crossing once more. Sometimes you think to take the risk.
And sometimes you make it halfway and change your mind, allowing the underbrush to envelop the faded wood boards again, sucking that piece of your past back into the recesses of the forest of your mind where you now fail to tread.
But I didn't need that with her. I didn't need to contemplate the bridge. I knew her well enough, remembered her well enough, even with a bridge left dilapidated and forgone. I hadn't even realized I'd crossed the bridge, really. It had taken until seeing her to realize how far we'd come, my feet and I, how much distance lay between us and that once field of green. I had an image of myself, back then. A vision of perfection, what "adult" me would entail, and it took seeing her, across the greasy diner in the booth that should be hosed down, to realize I'd reached that moment. I'd become that vision, else why would I see myself as such a distant figure? Else why would I see what used to be me sitting in an awkward solitude by the window?
It hit me this weekend, and today, but so expediently on Friday, when suddenly every thread was cut. Suddenly all the safety nets that tethered me to that frightened chubby girl hiding in a Jason Mraz tee shirt were broken and dangling as memories from the four gray walls that suspended me. Suddenly my limitations were nothing. Suddenly the expanse before me was more vast and beautiful than it had ever been.
Suddenly I...was alive.
I forgot until this moment: there's a scene in Home Alone where Kevin yells out "I'm not afraid anymore! Do you hear me? I'm not afraid anymore!" (and then he sees the creepy shovel dragging neighbor and runs away screaming).
But my life has reached that moment. The Macaulay Culkin in my mind keeps yelling "I'm not afraid anymore! Do you hear me? I'm not afraid anymore!" and I can't help but feel it with each breath. It's invigorating, this concept of being alive. This ability to share what's on my mind with anyone nearby, not questioning how they'll interpret what I'm saying, but simply saying it as though they've known me for ages. It's not caring if my odd dancing scares boys away, but embracing that this is how I'm happy in a movement setting. It's not chickening out when the attractive mid-twenties man from corporate talks to you briefly and not shying away from asking if he's single. It's taking the moment you have and making the best of it. It's not waiting for the "next time" that won't happen or won't happen the same way. It's being grateful for all my big mistakes as much as I am for all the little blessings, because each makes me what I am. It's knowing there's someone out there who will accept all of me, and that hiding it won't keep hurt from happening. It's understanding that hurt happens, that love isn't right the first time, that people can say things they possibly mean and everything can look good on paper, but when it comes down to it it just doesn't work.
It's believing that something will work. It's hoping that I can have all I want and deserve in this lifetime, that God won't let me be the crazy rat lady because I think varmints are adorable and I'm allergic to cats. It's throwing caution to the wind. It's living the way he does, maybe not exactly, but enough to feel the breeze. It's accepting what I am and embracing what I want, and greeting the universe with this understanding, and paying it forward and keeping from bottling it up. It's about being present and in the now and ready for destiny, even if it's just so I can make another mistake.
It's making mistakes and taking truths from the ashes of my expectations. It's moving forward, living up, making mountains.
Sometimes songs don't directly apply unless you're me. But I love this song so I'm embedding it anyway.
Wednesday, March 20, 2013
Maybe the Best Hasn't Happened Yet
Let me teach you something:
Life doesn't turn out like you expect it to.
And regardless how many times you learn this lesson, the knowledge never seems to stick. You stroll away and continue to make expectations out of life, to personify your view of an ideal world onto the actions of others. You place a contingency on the fault of mankind.
Inevitably, things fall through.
Here's a story.
In ninth grade the local theatre became home to a budding improv comedy troupe: The Improvables. I was taking acting classes there at the time, and attended the shows as often as a junior high student lenient on her parents' inclination to drive her around at ten o'clock at night could. The group continued to play and I waxed on in age and entered high school.
My junior year going to The Improvables was a rad thing to do; a couple boys from musical were in the troupe, so a gaggle of us would go after football games to support. It became a regular thing for me and my best friend at the time to go see the shows weekly (they only performed Friday nights). Before long audience participation games began to creep up.
I volunteered.
Every time. To the extent that I recall Paco once telling me no, someone else needed to have a turn.
You see, I wanted to be an Improvable. I'd taken acting classes at the theatre for five years, and each "semester," if you will, started with a few weeks of improv games. It was invigorating and excellent and I loved it.
The Improvables did beginner workshops, but they were on Saturday mornings, and I was barely nine months into a job at a bakery that had said flat out from the beginning "You have to work every Saturday. You can't take them off for dances or things. Saturdays are a must."
So I could never workshop. So I could never be an Improvable.
The closest I would get was audience participation.
Sad story, right? Another dismissed dream and abandoned ambition. Another letdown, another aspect of my ideal life to lack.
You're right. It's horribly sad. To 16 year-old Erica. It's sad in the moment.
Because, as a junior in high school not cognitive enough to ask her super kind coworker/boss if she could come in a few hour late on Saturdays for a month, did I know management at the store would change? Did I know our numbers would dwindle and I would be the most experienced closer left? Did I know the separation between morning shift and closing shift on a Saturday would become more separate and distinct?
As a junior in high school did I know I'd be friends with Paco on facebook and get an invite to Improvables auditions? Did I know, though not making it in the troupe after auditions, that I'd become well acquainted with one of them who would invite me to linger with the Improvables after at Dee's? Did I know there'd be a beginner's workshop I was capable of attending for the first time?
Did I know in four years time I'd be accepted into the troupe? Did I know in four years I'd finally be an Improvable?
No. No I didn't.
And that's my point, reader. That's my point.
We see what's around us, we see where we're at immediately. I don't know where I'll be next year, I sure as heck don't know where I'll be in four years. I'd forgotten the Improvable dream. I'd been letdown, been upset, and moved on. I'd applied for colleges and wound up at the one I least wanted to go to and would most fully love with all my heart. I'd focused on performing well so I could get a bit of the spotlight senior year. I started decorating cakes at work.
The Improvables crossed back into my perceptions when I was ready for them. But I didn't know.
Life doesn't turn out like you expect it to. I expected to be an Improvable in high school. I expected to go to college in Virginia. I expected to be in the publishing process by my 20th birthday. Those things didn't happen. My life is awful.
To 16 year-old Erica.
My great expectations have fallen through. I've been shattered again for assuming too much of a person, and it's the same lesson I learned before. The same lesson I planned to pen in the novel I was going to have in print by now. I'm not in control here. I'm not the all-seeing eye. I don't have a magic coin that makes my wishes come true or a Brechtian ability to break the fourth-wall. I am subject to my story. And no, it's not going how I expected at all. It's not taking the turns I mapped out over the years. I'm not where I wanted to be.
I'm where I need to be.
You can live your life in bitterness, thinking of all the "if's" and "maybe's." You can focus on the failure to win his affections or your inability to get cast in a show outside of an educational setting. You can self-depreciate over your writer's block and lack of time management and hate every obstacle the wind has blown your way.
Or you can look at the musical you're directing, that 100% fell in your lap. You can look at the good fortune of having a college with proficiency in your major so close to home. You can smile that you met Jason Mraz and Daphne Willis performed a mini concert for you and... you're an Improvable.
It was four years more than you expected, but you're an Improvable.
What's coming next? Where am I going? How can I dare be discontent over the cracks my hopes are falling in when there is such a blessing coming down the turnpike? How can I muddle and murmur when tomorrow is an open slate, and the most skilled hand is waiting to fill it?
Live in the moment, that's the trick to happiness. The past is passed. What made me happy then won't make me happy to dwell upon now; I'm not there anymore. The view from here will never be the view from thirty feet back. A painting is different facing you than from 180 degrees. The future is as unwritten as my next breath; safety lies in patience. Happiness comes from the wait. When I idealize and fantasize tomorrow is when the pain builds up. Life doesn't turn out like you expect it to.
Stop expecting it to.
I may have said this here before but I feel it should be said again: Stop praying for what you expect. Pray to find what He expects for you.
He's writing the story. He knows your course. He knows you're 16 and can only see this moment, this hour of broken expectations and hopes, this instant of failed ideals. He knows what you'll be in four years, what you'll miss, what you'll crave, what you'll actually have. He knows what you'll need and He's planned when to give it to you.
I didn't know then. I could have never known then all of the blessings and miracles that would shatter through my stain glass sunlight and illuminate my life. So many things have happened in the last few months, so many dreams/hopes/wishes have been brought into reality in ways I never expected. And all I have expected has crumbled in contrition, dampening the levity of life.
Hope in Him. Pip, take these great expectations and set them aside. See the world for what it really is, see the beauty of your life in His eyes, in His plan.
So your blueprint wasn't fulfilled. That's not what He was hired to do. He's not working for you.
He's working with you, and giving in the moment. The moment won't be now. The moment might be in four years, but it's coming.
"Take therefore no thought for the morrow: for the morrow shall take thought for the things of itself." -Matt 6:34-
Four years from now I'll look back at these failed expectations and they'll either be humorously pathetic or surprisingly fulfilled.
Who knows, maybe the best hasn't happened yet.
Life doesn't turn out like you expect it to.
And regardless how many times you learn this lesson, the knowledge never seems to stick. You stroll away and continue to make expectations out of life, to personify your view of an ideal world onto the actions of others. You place a contingency on the fault of mankind.
Inevitably, things fall through.
Here's a story.
In ninth grade the local theatre became home to a budding improv comedy troupe: The Improvables. I was taking acting classes there at the time, and attended the shows as often as a junior high student lenient on her parents' inclination to drive her around at ten o'clock at night could. The group continued to play and I waxed on in age and entered high school.
My junior year going to The Improvables was a rad thing to do; a couple boys from musical were in the troupe, so a gaggle of us would go after football games to support. It became a regular thing for me and my best friend at the time to go see the shows weekly (they only performed Friday nights). Before long audience participation games began to creep up.
I volunteered.
Every time. To the extent that I recall Paco once telling me no, someone else needed to have a turn.
You see, I wanted to be an Improvable. I'd taken acting classes at the theatre for five years, and each "semester," if you will, started with a few weeks of improv games. It was invigorating and excellent and I loved it.
The Improvables did beginner workshops, but they were on Saturday mornings, and I was barely nine months into a job at a bakery that had said flat out from the beginning "You have to work every Saturday. You can't take them off for dances or things. Saturdays are a must."
So I could never workshop. So I could never be an Improvable.
The closest I would get was audience participation.
Sad story, right? Another dismissed dream and abandoned ambition. Another letdown, another aspect of my ideal life to lack.
You're right. It's horribly sad. To 16 year-old Erica. It's sad in the moment.
Because, as a junior in high school not cognitive enough to ask her super kind coworker/boss if she could come in a few hour late on Saturdays for a month, did I know management at the store would change? Did I know our numbers would dwindle and I would be the most experienced closer left? Did I know the separation between morning shift and closing shift on a Saturday would become more separate and distinct?
As a junior in high school did I know I'd be friends with Paco on facebook and get an invite to Improvables auditions? Did I know, though not making it in the troupe after auditions, that I'd become well acquainted with one of them who would invite me to linger with the Improvables after at Dee's? Did I know there'd be a beginner's workshop I was capable of attending for the first time?
Did I know in four years time I'd be accepted into the troupe? Did I know in four years I'd finally be an Improvable?
No. No I didn't.
And that's my point, reader. That's my point.
We see what's around us, we see where we're at immediately. I don't know where I'll be next year, I sure as heck don't know where I'll be in four years. I'd forgotten the Improvable dream. I'd been letdown, been upset, and moved on. I'd applied for colleges and wound up at the one I least wanted to go to and would most fully love with all my heart. I'd focused on performing well so I could get a bit of the spotlight senior year. I started decorating cakes at work.
The Improvables crossed back into my perceptions when I was ready for them. But I didn't know.
Life doesn't turn out like you expect it to. I expected to be an Improvable in high school. I expected to go to college in Virginia. I expected to be in the publishing process by my 20th birthday. Those things didn't happen. My life is awful.
To 16 year-old Erica.
My great expectations have fallen through. I've been shattered again for assuming too much of a person, and it's the same lesson I learned before. The same lesson I planned to pen in the novel I was going to have in print by now. I'm not in control here. I'm not the all-seeing eye. I don't have a magic coin that makes my wishes come true or a Brechtian ability to break the fourth-wall. I am subject to my story. And no, it's not going how I expected at all. It's not taking the turns I mapped out over the years. I'm not where I wanted to be.
I'm where I need to be.
You can live your life in bitterness, thinking of all the "if's" and "maybe's." You can focus on the failure to win his affections or your inability to get cast in a show outside of an educational setting. You can self-depreciate over your writer's block and lack of time management and hate every obstacle the wind has blown your way.
Or you can look at the musical you're directing, that 100% fell in your lap. You can look at the good fortune of having a college with proficiency in your major so close to home. You can smile that you met Jason Mraz and Daphne Willis performed a mini concert for you and... you're an Improvable.
It was four years more than you expected, but you're an Improvable.
What's coming next? Where am I going? How can I dare be discontent over the cracks my hopes are falling in when there is such a blessing coming down the turnpike? How can I muddle and murmur when tomorrow is an open slate, and the most skilled hand is waiting to fill it?
Live in the moment, that's the trick to happiness. The past is passed. What made me happy then won't make me happy to dwell upon now; I'm not there anymore. The view from here will never be the view from thirty feet back. A painting is different facing you than from 180 degrees. The future is as unwritten as my next breath; safety lies in patience. Happiness comes from the wait. When I idealize and fantasize tomorrow is when the pain builds up. Life doesn't turn out like you expect it to.
Stop expecting it to.
I may have said this here before but I feel it should be said again: Stop praying for what you expect. Pray to find what He expects for you.
He's writing the story. He knows your course. He knows you're 16 and can only see this moment, this hour of broken expectations and hopes, this instant of failed ideals. He knows what you'll be in four years, what you'll miss, what you'll crave, what you'll actually have. He knows what you'll need and He's planned when to give it to you.
I didn't know then. I could have never known then all of the blessings and miracles that would shatter through my stain glass sunlight and illuminate my life. So many things have happened in the last few months, so many dreams/hopes/wishes have been brought into reality in ways I never expected. And all I have expected has crumbled in contrition, dampening the levity of life.
Hope in Him. Pip, take these great expectations and set them aside. See the world for what it really is, see the beauty of your life in His eyes, in His plan.
So your blueprint wasn't fulfilled. That's not what He was hired to do. He's not working for you.
He's working with you, and giving in the moment. The moment won't be now. The moment might be in four years, but it's coming.
"Take therefore no thought for the morrow: for the morrow shall take thought for the things of itself." -Matt 6:34-
Four years from now I'll look back at these failed expectations and they'll either be humorously pathetic or surprisingly fulfilled.
Who knows, maybe the best hasn't happened yet.
Sunday, December 23, 2012
I'm letting myself off the hook for things I've done. -Jason Mraz-
I cried all the time as a child; easily and often. A boy in sixth grade teased me endlessly because his first memory of me was from kindergarten when I had punched my yellow Capri Sun straw through the back of the pouch and cried.
As stagnant and constant as Dad's instructions on the proper way to greet an angel and how to deduce if the angel was of God or the devil (D&C 129), were Dad's herbal "drops," as we called them. Bach Flower Remedies, at least the ones we employed, are vials of liquid with a little dropper attached to the lid. You take two or three drops under the tongue or in water to help ease different ailments. If it burns when it sets in, that's the signal that you need help in that area--each vial remedies a different condition. (For instance I use Mimulus and Impatiens for stress and impatience. Rescue Remedy is a mix of various drops--it's the cure-all.)
Our primary use of these drops was/is for nerves.
I can't recall a single audition I've attended without having taken Rescue Remedy in a water bottle with me. They work. I 100% agree that they work. I've tried other herbal remedies and walked away none the better off, but I can say tenfold I'm always more calm and at ease after these.
But I'm not giving a product review.
It's backstory.
The day I was to meet Jason Mraz was one of the most stressful days of my life. As the morning wore on I grew more and more panicked, and I knew the only thing that would fix me would be drops.
Mom and I drove around Golden Colorado after eating breakfast at a quaint little bistro--seriously, side note, I love small towns--and happened to find an organic health shop. We went inside.
They were under new management, and all the Bach items they had were left over from the old owner; they were just clearing out stock. They had a Rescue Remedy for Pets, and several human remedies. I read all the labels, none having to do with the thing my mind primarily connected drops to--stress. I found one that wouldn't help me prior, but would save my life after, or so I thought.
I have this issue of being confident with myself until after the moment has passed, and suddenly everything I did/said/expressed on my face was the wrong course of action and I'm a failure and I suck.
Pine "allows you to accept yourself and your actions as they are rather than feel guilty or blame yourself for the mistakes of others."
With my track record, I knew after experiencing the most daydreamed moment of my young life, that anything I did would later be deconstructed as horribly wrong and pathetic.
We bought Pine.
I used it for the first time tonight; maybe because an ounce of prevention is worth a pound of cure and I'd never seen the point in curing the metaphorical heartburn after it had set in, maybe because I've learned to deal with my over-analytical mind. All night tonight I was cherry bombed with What If's. I was going mad, concocting different ways things could have gone, different paths I could have trod, different doorsteps to end up on, but immediately following came the frustrated voice that it doesn't matter. There are a hundred different ways each instant can go--there were three separate beginnings of this post I contemplated before diving in, and those are only the three I contemplated. There were many other ways to start this.
For once I had a voice of reason breaking through the hypothetical, drawing my eyes to sturdily acknowledge that it doesn't matter. What happened happened, it could have gone a separate way, but I didn't chose that way. I didn't even see that direction until hours later when I replayed the occurrence for the two hundredth time. Life is not a "choose your own ending" book with a series of scripted outcomes you eenie-meenie-miney-moe your way through to wind up with one of four outcomes. Life is walking in the woods. Life is heading off in one direction and weaving through the trees and over rocks as you see fit; maybe you could have gotten there from a different route. Maybe you could have gotten there sooner or taken your time to find a more beneficial path. Maybe you could have turned slightly more right and ended up at a different spot all together--it doesn't matter. You got there. You made it, you passed. That's it.
It doesn't matter "what if" I remembered Jason Mraz's favorite board game was Scrabble and used Scrabble letters instead of screenshots of his handwriting on the tee shirt I made. It doesn't matter "what if" I had him sign the CD case like I'd always imagined instead of the last-minute book decision. It doesn't matter "what if" I took another ten minutes plotting out all my courses before deciding what to send in that text. It doesn't matter "what if" I'm misunderstood or taken out of context or tossed aside. I did what I did. I didn't do what I didn't. It doesn't matter. I got around that tree, I passed that stump. There's no sense in going back and observing all the things I could have done. It's behind me.
It doesn't matter.
I used Pine to shut myself up, to accept myself and my actions as they are and move on.
There's nothing behind me but what was. There's nothing ahead but what will be.
As stagnant and constant as Dad's instructions on the proper way to greet an angel and how to deduce if the angel was of God or the devil (D&C 129), were Dad's herbal "drops," as we called them. Bach Flower Remedies, at least the ones we employed, are vials of liquid with a little dropper attached to the lid. You take two or three drops under the tongue or in water to help ease different ailments. If it burns when it sets in, that's the signal that you need help in that area--each vial remedies a different condition. (For instance I use Mimulus and Impatiens for stress and impatience. Rescue Remedy is a mix of various drops--it's the cure-all.)
Our primary use of these drops was/is for nerves.
I can't recall a single audition I've attended without having taken Rescue Remedy in a water bottle with me. They work. I 100% agree that they work. I've tried other herbal remedies and walked away none the better off, but I can say tenfold I'm always more calm and at ease after these.
But I'm not giving a product review.
It's backstory.
The day I was to meet Jason Mraz was one of the most stressful days of my life. As the morning wore on I grew more and more panicked, and I knew the only thing that would fix me would be drops.
Mom and I drove around Golden Colorado after eating breakfast at a quaint little bistro--seriously, side note, I love small towns--and happened to find an organic health shop. We went inside.
They were under new management, and all the Bach items they had were left over from the old owner; they were just clearing out stock. They had a Rescue Remedy for Pets, and several human remedies. I read all the labels, none having to do with the thing my mind primarily connected drops to--stress. I found one that wouldn't help me prior, but would save my life after, or so I thought.
I have this issue of being confident with myself until after the moment has passed, and suddenly everything I did/said/expressed on my face was the wrong course of action and I'm a failure and I suck.
Pine "allows you to accept yourself and your actions as they are rather than feel guilty or blame yourself for the mistakes of others."
With my track record, I knew after experiencing the most daydreamed moment of my young life, that anything I did would later be deconstructed as horribly wrong and pathetic.
We bought Pine.
I used it for the first time tonight; maybe because an ounce of prevention is worth a pound of cure and I'd never seen the point in curing the metaphorical heartburn after it had set in, maybe because I've learned to deal with my over-analytical mind. All night tonight I was cherry bombed with What If's. I was going mad, concocting different ways things could have gone, different paths I could have trod, different doorsteps to end up on, but immediately following came the frustrated voice that it doesn't matter. There are a hundred different ways each instant can go--there were three separate beginnings of this post I contemplated before diving in, and those are only the three I contemplated. There were many other ways to start this.
For once I had a voice of reason breaking through the hypothetical, drawing my eyes to sturdily acknowledge that it doesn't matter. What happened happened, it could have gone a separate way, but I didn't chose that way. I didn't even see that direction until hours later when I replayed the occurrence for the two hundredth time. Life is not a "choose your own ending" book with a series of scripted outcomes you eenie-meenie-miney-moe your way through to wind up with one of four outcomes. Life is walking in the woods. Life is heading off in one direction and weaving through the trees and over rocks as you see fit; maybe you could have gotten there from a different route. Maybe you could have gotten there sooner or taken your time to find a more beneficial path. Maybe you could have turned slightly more right and ended up at a different spot all together--it doesn't matter. You got there. You made it, you passed. That's it.
It doesn't matter "what if" I remembered Jason Mraz's favorite board game was Scrabble and used Scrabble letters instead of screenshots of his handwriting on the tee shirt I made. It doesn't matter "what if" I had him sign the CD case like I'd always imagined instead of the last-minute book decision. It doesn't matter "what if" I took another ten minutes plotting out all my courses before deciding what to send in that text. It doesn't matter "what if" I'm misunderstood or taken out of context or tossed aside. I did what I did. I didn't do what I didn't. It doesn't matter. I got around that tree, I passed that stump. There's no sense in going back and observing all the things I could have done. It's behind me.
It doesn't matter.
I used Pine to shut myself up, to accept myself and my actions as they are and move on.
There's nothing behind me but what was. There's nothing ahead but what will be.
Tuesday, June 5, 2012
Living In The Moment
"Well I'm almost finally, finally, out of words." -Jason Mraz (You and I Both)
I've felt a lot of things lately that I haven't been able to pin down into a definitive statement. I know how they feel and what they mean, but it's a language of the soul that keeps speaking out. I can't put it into English, I can't craft it with letters. If I could grasp your hand and siphon the feeling to you, I very well would.
All I can do is toss literary darts in the general area of the target and hope to come out making sense.
I know the following statement to any blog reader of mine is redundant to say the least, but this is were it begins: I'm in a separate state of being when I listen to Jason Mraz. There's nostalgia and there's hope for Virginia to come around, but there is something else that makes it so...makes it so expedient and desirable that I remain there, in this state of being. I felt it irrepressibly tonight when Erin put my dated Mraz Mix in her car's CD drive, and it was such a presence that I felt I had to draw attention to it. So I said: "I always feel...more myself when I listen to him."
And though I've said this and thought this before, it took that moment to connect what Jason's music had lead my soul to experience for years to my recent moments of confidence. Moments that, looking back, happened as they did because I was acting more myself; I was showing up as me.
I haven't read the scriptures in some time. I've been desirous for personal revelation, but I haven't tried to track it down. But lately I can't help but feel that the Lord is guiding me to my answers in the way He knows I'll find it. It's the only place I've been looking.
Jason Mraz.
For the first time in my fandom I have fully connected with an album not because it was catchy or the lyrics made me think or I couldn't get over how phenomenal his scatting is; it's been because that's what I've needed to hear.
I've felt these things for so long, thought about them, almost understood them, but I couldn't put it into words what they meant. Jason did it for me:
"I'm letting myself off the hook for things I've done, I let the past go past. ...I'm letting go of the thoughts that do not make me strong. ...I can't walk through life facing backwards. I have tried, tried more than once to just make sure, and I was denied the future I'd been searching for. I turned around and hurt no more by living in the moment."
There has been much more that has struck me, but this seems to be the overbearing message of it all. This is why my life to this point has been so lackluster and passive and timid. I haven't seemed to "let go of what I know I don't know."
Life hasn't worked for me because I haven't shown up as me.
Today I did it, subconsciously. I showed up as me. And the lightness of my soul that accompanied that moment is the same breath Jason's music breathes into me.
I am more myself when I listen to him sing, but I'm actively striving to be myself even when the music's off.
"And I know I only do this by Living in the Moment."
I've felt a lot of things lately that I haven't been able to pin down into a definitive statement. I know how they feel and what they mean, but it's a language of the soul that keeps speaking out. I can't put it into English, I can't craft it with letters. If I could grasp your hand and siphon the feeling to you, I very well would.
All I can do is toss literary darts in the general area of the target and hope to come out making sense.
I know the following statement to any blog reader of mine is redundant to say the least, but this is were it begins: I'm in a separate state of being when I listen to Jason Mraz. There's nostalgia and there's hope for Virginia to come around, but there is something else that makes it so...makes it so expedient and desirable that I remain there, in this state of being. I felt it irrepressibly tonight when Erin put my dated Mraz Mix in her car's CD drive, and it was such a presence that I felt I had to draw attention to it. So I said: "I always feel...more myself when I listen to him."
And though I've said this and thought this before, it took that moment to connect what Jason's music had lead my soul to experience for years to my recent moments of confidence. Moments that, looking back, happened as they did because I was acting more myself; I was showing up as me.
I haven't read the scriptures in some time. I've been desirous for personal revelation, but I haven't tried to track it down. But lately I can't help but feel that the Lord is guiding me to my answers in the way He knows I'll find it. It's the only place I've been looking.
Jason Mraz.
For the first time in my fandom I have fully connected with an album not because it was catchy or the lyrics made me think or I couldn't get over how phenomenal his scatting is; it's been because that's what I've needed to hear.
I've felt these things for so long, thought about them, almost understood them, but I couldn't put it into words what they meant. Jason did it for me:
"I'm letting myself off the hook for things I've done, I let the past go past. ...I'm letting go of the thoughts that do not make me strong. ...I can't walk through life facing backwards. I have tried, tried more than once to just make sure, and I was denied the future I'd been searching for. I turned around and hurt no more by living in the moment."
There has been much more that has struck me, but this seems to be the overbearing message of it all. This is why my life to this point has been so lackluster and passive and timid. I haven't seemed to "let go of what I know I don't know."
Life hasn't worked for me because I haven't shown up as me.
Today I did it, subconsciously. I showed up as me. And the lightness of my soul that accompanied that moment is the same breath Jason's music breathes into me.
I am more myself when I listen to him sing, but I'm actively striving to be myself even when the music's off.
"And I know I only do this by Living in the Moment."
Sunday, May 13, 2012
Wherever I'm Going I'm Already Home
I once read Jason Mraz's blog, before he took all his posts offline, and found something that really stood out to me. It was at a moment in my life where I couldn't comprehend why people were consistently being false about who they were. I am of the opinion and practice that if you generally do not care for someone, don't play to their face as though you're their best friend. Merely limit the exposure you have to them. It has worked relatively well for me, but I couldn't grasp why everyone else just pranced about falsely adoring people they later grumbled about in private.
But for a statement that meant so much to me, I don't remember it. Off the top of my head. Luckily it hit me with such impact and internal, personal meaning, that I placed it on my facebook, where it thankfully has remained.
"Being fake about anything creates a block inside of you. Life can't work for you if you don't show up as you. ...Your thoughts, speech, beliefs, actions and attitudes create the picture of your life. Draw it well."
But it wasn't until about a month ago when I was going through the very girlish anxiety of what to wear and how to have my hair when I meet this man that it occurred to me not to go to extremes to guarantee I'll look good. I need to do what I would do any day; to be myself. This seemed so suddenly important and integrated in me that it took quite some time to realize I was paraphrasing that unforgettable statement that I could never quite memorize.
And as I searched it out and found it again, I realized this has been swirling in paraphrase in my mind for years now; congealing in the drain of my brain, leaving a sort of residue determined to stay for all time. The motto of my life, the way I regulate my days. A source of comfort. It was beautiful to me that I hadn't elected for this to be what carried me along, that it wasn't my teen-aged obsession forcing me to make meaning out of a well-worded thought an idol of mine happened to post online. I tried this last year with the Happy Now Year, which was a very good philosophy, but I never really lived up to it. Despite my fan-driven desire to live by this law, I kept living in maybe's, my tongue tied on someday and my heart draped on the past. But it isn't the fact that I am led to think of Jason Mraz when I think of my personal motto that inspires me; it's the message behind it. This statement has accumulated purposefully in my mind because it rings true to me specifically and entirely, not just my glutinous fandom. It means something because it means something. I can think about it and feel better, inspired, invigorated, ready. Innumerable times this week I have muttered or thought to myself "Life can't work for you if you don't show up as you."
It's not just about presenting myself to Jason Mraz with my hair straight and around my face, my CityStreet jeans gripping the contours of my legs, eggplant eyeliner around my blue eyes, and a Mraz t-shirt as if it's just another day in my life, not the greatest day. It's about being all of that with my attitude and personality every day I breathe. It's about boxing up the doubt and concern that I'm wrong and setting it up in flame. It's about taking the power and confidence I'm moved by when living in theatre and bringing that into practice when I'm living in the moment.
And a large part of my hindrance at "show[ing] up as [me]" is that I'm tied so rigidly to the person I was when that statement first graced my eyes. The admirable thing about Jason Mraz is that he hasn't let success be an excuse for being found drunk and high on street corners by the Po-Po. Life has worked for him because he has, and daily continues to, show up as him. He doesn't sing Wordplay in concert anymore because he's not that same cocky attention seeking guy (his words, not mine), he doesn't smoke anymore because it's derogatory to his health and career. In fine, he's changed. I'd like to think I have grown along with him, maybe not in the same direction, but I've been close enough that I don't dispute who he is now compared to the young kid who first set out for music. And even if I did have my qualms with his slightly gaunt face or almost homeless hair, what right do I have to question him? Whatever he's become is what is right for him. Whatever he does with his life works. Because he keeps showing up as him.
I didn't think this post would come back to Virginia, but it has. Whoever I am is so hidden by the clutter I'm sure Virginia would clear away that I'm unable to fully get life to work for me. I'm struggling and failing because I can't show up as me; whoever I am is concealed in an unreachable place. I'm still so tethered to this part of me that worries and daydreams and lives in the past or the future. But my core wants to live now. My soul wants to show up as me. I want life to work.
So I'm going to break my animism this summer; I am going to tear myself from all the things I don't need that keep tying me down because I may need them or miss them someday.
My thoughts, speech, beliefs, actions and attitudes create the picture of my life.
I can't take up the pen until I've purged enough clutter to see what those thoughts, speech, beliefs, actions and attitudes are.
Life can't work for me unless I show up as me. And I can't be me until I find me.
But for a statement that meant so much to me, I don't remember it. Off the top of my head. Luckily it hit me with such impact and internal, personal meaning, that I placed it on my facebook, where it thankfully has remained.
"Being fake about anything creates a block inside of you. Life can't work for you if you don't show up as you. ...Your thoughts, speech, beliefs, actions and attitudes create the picture of your life. Draw it well."
But it wasn't until about a month ago when I was going through the very girlish anxiety of what to wear and how to have my hair when I meet this man that it occurred to me not to go to extremes to guarantee I'll look good. I need to do what I would do any day; to be myself. This seemed so suddenly important and integrated in me that it took quite some time to realize I was paraphrasing that unforgettable statement that I could never quite memorize.
And as I searched it out and found it again, I realized this has been swirling in paraphrase in my mind for years now; congealing in the drain of my brain, leaving a sort of residue determined to stay for all time. The motto of my life, the way I regulate my days. A source of comfort. It was beautiful to me that I hadn't elected for this to be what carried me along, that it wasn't my teen-aged obsession forcing me to make meaning out of a well-worded thought an idol of mine happened to post online. I tried this last year with the Happy Now Year, which was a very good philosophy, but I never really lived up to it. Despite my fan-driven desire to live by this law, I kept living in maybe's, my tongue tied on someday and my heart draped on the past. But it isn't the fact that I am led to think of Jason Mraz when I think of my personal motto that inspires me; it's the message behind it. This statement has accumulated purposefully in my mind because it rings true to me specifically and entirely, not just my glutinous fandom. It means something because it means something. I can think about it and feel better, inspired, invigorated, ready. Innumerable times this week I have muttered or thought to myself "Life can't work for you if you don't show up as you."
It's not just about presenting myself to Jason Mraz with my hair straight and around my face, my CityStreet jeans gripping the contours of my legs, eggplant eyeliner around my blue eyes, and a Mraz t-shirt as if it's just another day in my life, not the greatest day. It's about being all of that with my attitude and personality every day I breathe. It's about boxing up the doubt and concern that I'm wrong and setting it up in flame. It's about taking the power and confidence I'm moved by when living in theatre and bringing that into practice when I'm living in the moment.
And a large part of my hindrance at "show[ing] up as [me]" is that I'm tied so rigidly to the person I was when that statement first graced my eyes. The admirable thing about Jason Mraz is that he hasn't let success be an excuse for being found drunk and high on street corners by the Po-Po. Life has worked for him because he has, and daily continues to, show up as him. He doesn't sing Wordplay in concert anymore because he's not that same cocky attention seeking guy (his words, not mine), he doesn't smoke anymore because it's derogatory to his health and career. In fine, he's changed. I'd like to think I have grown along with him, maybe not in the same direction, but I've been close enough that I don't dispute who he is now compared to the young kid who first set out for music. And even if I did have my qualms with his slightly gaunt face or almost homeless hair, what right do I have to question him? Whatever he's become is what is right for him. Whatever he does with his life works. Because he keeps showing up as him.
I didn't think this post would come back to Virginia, but it has. Whoever I am is so hidden by the clutter I'm sure Virginia would clear away that I'm unable to fully get life to work for me. I'm struggling and failing because I can't show up as me; whoever I am is concealed in an unreachable place. I'm still so tethered to this part of me that worries and daydreams and lives in the past or the future. But my core wants to live now. My soul wants to show up as me. I want life to work.
So I'm going to break my animism this summer; I am going to tear myself from all the things I don't need that keep tying me down because I may need them or miss them someday.
My thoughts, speech, beliefs, actions and attitudes create the picture of my life.
I can't take up the pen until I've purged enough clutter to see what those thoughts, speech, beliefs, actions and attitudes are.
Life can't work for me unless I show up as me. And I can't be me until I find me.
Subscribe to:
Posts (Atom)
