No Man Is An Island

I never wanted to be fake, to be a poser, to put on different masks for different crowds. I never said I loved the Back Street Boys because I only had one album and hadn't ever mailed in to join the fan club. Months after having listened to Jason Mraz religiously I still didn't claim he was my favorite artist. To me, to declare something/someone as your favorite would negate knowing more about them/it than the average person on the street. I found a poster for sale on Mraz's website and wanted it. But I stopped my 7th grade self from running to dad asking him to order it for me. 

I didn't know enough about him yet. I wasn't really a fan of Jason Mraz. Not yet.

And that's why I look like an uber fan, being able to tell you where he's from, how he got into the music business, what this song was written about, his brother's name, etc. Because according to the unspoken rule I'd always lived by, I couldn't truthfully declare myself a fan until I knew as much as possible. So while my improv troupe pokes fun at my "obsession," I reside with the knowledge that I'm a true, sincere fan.

Which is why mourning posts on Facebook bother me. I understand the reasoning behind it; Robin Williams was indeed an excellent man, bringing characters to life in the greatest way possible. But I have a hard time believing the 18 year old on my newsfeed with keep true to her declaration that he will "always be one of [her] favorite actors." It's easy to forget, especially in this modern world of high speed internet and smart phones. Remember all the hub-bub about Michael Jackson's death? Remember how the world was shaken, how an incredible artist was gone too soon, how everyone started listening to his music and covering his songs and releasing full magazines containing every article they'd ever published of him.

Remember when his five year death anniversary happened?

You don't?

I didn't either. Until I was in line at the Walmart and noticed a reprint of the MJ-only People's Magazine.

And then I thought "That's right. It's June. That's right, he's been gone a few years now."

I took art classes in junior high, convinced I'd become the world's best artist. Newsflash, I'm not. But on several instances in those classes we would study world renowned artists, and in most occasions we'd watch a docudrama about their lives, the moral of every story being sometimes though the work you produce is incredible, people won't realize it until you're gone.

This of course being time passes after their death and someone realizes the quality of the work and exposes it to the world and then they become a classic that is lauded for their innovation and creativity and studied in art classes through the ages. 

Technology is doing the opposite now.

Robin Williams was found dead, and Facebook, like it did five years ago, exploded with well-wishing mourning statements from people touched by his work. I'm not being cynical, I assure you. Just two weeks ago I watched Jumanji and was struck with the reminder of how much I appreciated Robin Williams and his role in that movie, among others. But what I am saying is our attention spans are fleeting. I struggle to sit down with a book nowadays because I'm so used to the quick, easy read of mindless internet articles. I've grown accustomed to my two second attention span. And I think the rest of us have as well. 

Which is why the most fitting way to remember someone is post about it, maybe share a video it took us a minute to find on YouTube, and forget. 

And five years from now you'll be at a Walmart, and Robin Williams will be on the cover of a magazine near the bottom of the rack, pushed to the bottom by the latest Kardashian scandal, and you'll think "Oh yes. I remember when he died. It's been a while, I guess."

So I'm not declaring this death has wrecked me to my core, I'm sad, definitely. How could you not be? Will I buy all of his movies and think about him every day? No. I'll probably invest in Dead Poets Society because I frankly haven't seen that yet, and if his death is similar in anyway to Michael Jackson's it'll yeild a surplus of his movies suddenly stocking shelves so it shouldn't be hard to find. Robin Williams won't live on as the man who changed my life, who brought me comedy and taught me to laugh. But I'll be struck with appreciation each time I flick through TV channels and pause as Hook comes back from commercial break, I'll smile as my kids watch Aladdin in the other room, and I'll remember him -like I always have- when there's a surplus of mosquitoes or a news story about stampedes. I'll admire his opportunities and the fact that he was able and willing to share them with us; that he had a leg up on the artists of yore in that his legacy was in circulation before he was ever gone. 

But I'm not going to say I'm his biggest fan. 

It's not about me. 

Discography

Sometimes I wonder if I'm a product of my music interest, or if my music interest is just a side effect to who I am.

Let me explain.

Young Erica listened to a cassette tape of Kenny Loggins singing children's songs and lullabies. I don't mean this in a The Wiggles kind of way. They were calm, peaceful, almost folk songs.

It's where I met Pooh Corner, unicorns, comets, horses, and the existence of other cultures (as exhibited in To-Ra-Loo-Ra). They gave me this calmness, this widening of the mind. I started making music videos in my head to this music, before knowing music videos were really a thing, that video had ever killed the radio star, before knowing an artist could record songs they hadn't written. I learned the words painted the pictures I would see in my head. And I liked it.

Young Erica found another album in her mother's collection. She'd stolen Kenny Loggins, and returned for more. It's this album that I believe did it, this album that made my above mentioned speculation evident.

I think about this album a lot, especially lately. Because it made me think. And that's the key. Kenny Loggins drove my mind across the sky with St. Judy's comet and through forest glades with the last unicorn, but Sixpence None the Richer made me think. I didn't know what it meant. And it was frustrating. I didn't know what inconsistent angel things were, how a womb could be artistic, who "she" was in 'Sister, Mother.' I didn't get it. I was left to figure it out, and when I learned to read I read through the lyrics printed in the cover. But I still didn't know. This album is heavy on imagery, metaphor; it's poetry. It's an album of poems, and the answers are hidden in subtext and verbiage and unique to the listener. It's words painting pictures.

I have an odd reverence for words. You've probably gleaned as much if you've read this blog before. My favorite thing about Kenny Loggins wasn't his voice or the beautiful album art. It was the words, the story. I was devastated when I read who'd written the songs and saw Leigh Nash was only responsible for one of them; I felt cheated her lips were speaking someone else's words. The thing I loved most, and what still remains the deciding factor, about Jason Mraz was his words.

It had to come to this. He released an album Tuesday. Why else would we be here?

In the past couple of years I've let go of my tight grip on lyrics to hear the themes in the music itself. It started with Jason Mraz. I'd heard his songs so much the words were already ingrained in my subconscious, so I started feeling the beat, started noticing the way the rifts changed, started hearing the layers. Music has become a new journey for me; I've realized it's not just the words, but the way they play with the music. Hearing Mraz for those first months was incredible because each time I heard a song again I'd get new insight into what words he was using, what he was truly saying. When that went away I started having epiphanies about the melodies.

And now back to my musing at the first: am I a product of my music, or do I have this taste because of who I am?

Where's the causation? Is there any?

I've often attributed my prose style to Sixpence None the Richer, claiming the album introduced me to words that masked what they meant, thus giving me the natural knack I have for spewing imagery. I'd been raised on it. But as the last few months have gone on, I've found myself slipping back into my old tastes as far as music goes. I've ventured off to Indie and Alternative Pop, but I'm tucking myself back into acoustic folk pop. I turn a happier ear to the music reminiscent of that first album, the mystique and metaphor on which I was raised. And I'm aware now that it's more than the words I appreciate; I've noticed a distinct similarity between the two. I've always said I like the music I like because the words are usually more akin to what I'm interested in. Which is mostly true. But there's been many a song I've enjoyed for lyrics and felt so-so as far as music goes. (A certain duet between Eminem and Rihanna comes to mind.) And a couple albums with instrumental tracks have taught me that music can speak without words. Willis showed me a Japanese artist whose songs hit me very deeply, but I don't speak Japanese.

Then Wednesday happened. Yes! came in the mail a day late, and after I enjoyed my new t-shirt, notebook, and poster, I popped in the album and leaned back on my bed to let Jason Mraz's latest work envelop me for the first time.

It's a meadow. It's soft clouds lilted by the pink hues of a setting sun breathing through branches accompanied by a faint breeze. It's sand flaking out to sea as the waves roll over it lightly. It's nature. It's peace. It's beauty. I hesitate to say it's my favorite album only because it's so new, and of course his newest endeavor is my favorite. I said this of his last installment, Love is a Four Letter Word.

But it's the difference of this album to every other that makes it hit me in such a unique way. I'm well versed in his music, and I recall lying there, listening to this album for the first time thinking how I love how he has changed. This sound is something I couldn't place in his past. But I could place it in mine.

If I'm a product of my music interest, Yes! is my current Sixpence None the Richer, an album for another decade of life. If my music interest is a side effect of who I am, this is another album I'll be yapping about for months. Because it is me. It is everything my heart wants. It's like coming home. And I try not to say this in the cheesiest ways, and hope I've made a fragment of sense this entire post. I just wonder if this album would speak to me in the way it does if I'd grown up with a different introduction to the realm of music. I wonder if I'd be who I am if it weren't for that first album, and for the albums that have followed. In the way I wonder if I'd be fundamentally the same if I hadn't been raised in the Church, I wonder if music has made me what I've become. Music is a gospel, after all. As Matt Nathanson sings, "I found religion at the record store." I lost myself in the melody and found myself in the words.

A birthday IS going to come

When I discovered Jason Mraz and started doing more about it than listening to one song on repeat, he had a website designed in the manner of his second studio album MR. A-Z. One section on the site was titled "Journal," and that's where I discovered my first blog.

I loved his writing. I loved seeing in his head other than the songs I'd started to memorize and sing in the solitude of my bedroom. It made him a person, these puns about Kevin Federline--Mr Please Make Fun of Me--and memories of launching grasshoppers on firecrackers with his brother. He was a real, regular guy.

And then they updated his website, and all the journal entries were lost.

I hated it. I was devistated. But shortly thereafter discovered a wonderful thing.

He'd made an actual blog.

He'd created a blogspot account and was still sharing insights into his lyrical head.

Determined not to lose out again, I started reading the blog with intensity, saving each post into a Word document so if the unthinkable happened again, I wouldn't have a void.

So I kept them.

Not all of them, sadly, high school became more hands-on than junior high and I steadily got out of the habit of regularly checking the blog, and if I did, it was usually during class while procrastinating writing an analysis on a book I hadn't read.

After he ended things with TP he deleted all the posts.

Four years of posts. Gone and replaced with this.

But I've got just about two years of them, and I'm sure if I dug the internet enough, I'd find them somehow.

But it's been a while since I've read his stuff. He still writes now, but it's few and far between and they don't often offer such an extended look into his phsyee. So today, for his birthday, I'm going to post one of them. On my blog. Because one guess as to what lead me to start it.

Happy Birthday Mraz.

Thursday, October 2, 2008

A change IS going to come

Last year Bob Dylan compiled a song list for Starbucks’ Artist Choice Series. In addition to offering up a keen selection of country, blues, and jazz, he also supplied notes and commentary as to why he held the songs in such regard. BUT, the best part was the forward.

He wrote, "When I was asked to put together this collection of songs, I wasn't sure what to do. So I just grabbed a bunch of things I was into recently. Some people have favorite songs, but I've got songs of the minute -- songs that I'm listening to right now. And if you ask me about one of those songs a year from now, I might not even remember who did it, but at the moment it's everything to me.”

I bring this up as today’s lesson: Nothing is final. One day you’re high. The next day you’re low. You might have a funky, expressive, or awful haircut today, but soon it will grow into something else, something new and random. Maybe you grew up liking pop music and boy bands, but now you like a specific mash up of Electronic & Classical. You might decide you don’t want to smoke cigarettes anymore; that it’s just not who you are. Maybe you were a staunch republican but now have curiosities about the well-spoken and well-organized Democratic Nominee. Perhaps you were madly in love last week, but woke up today feeling comfort in solitude, without a desire to be held.

Everything is fine. Not finAL.

We tend to instantly identify with “things.” And we believe in so much, when in fact, a belief isn't known to be true. It's a hope for the truth. We hold grudges because of what someone said when we were young. We store hurtful words and replay them in our minds until we think it to be true. And some of us believe a TV commercial and think we need a faster computer, a smarter phone, a stronger pill, a more relaxed-fit jean, etc. We think that certain things, thoughts, or actions make us who we are and sometimes we become addicted to those thoughts or behaviors and then become too afraid to let them go.

I write and post a lot therefore many people assume I have every self-published word memorized or that I live these shared thoughts constantly. This is not the case. My brain doesn’t reference myself very well actually, and I’m sure I contradict myself every other day in one way or another. One day I feel like I have all the wisdom of the world and the next day my soul wears thin and I stutter just ordering ice cream.

And everything is fine.

Because I trust in the ever-changing climate of the heart. (At least, today I feel that way.) I think it is necessary to have many experiences for the sake of feeling something; for the sake of being challenged, and for the sake of being expressive, to offer something to someone else, to learn what we are capable of. These meanderings, rants, and blogs for instance, provide a great deal of comfort just sharing it, even though i put a part of myself on the line to be criticized or considered an ass.
Oh well, Courage is triumph of the soul is guess. and an Ass can still be of great service.

So Remember, You have the right to change your mind.

About anything.

Anytime.

This is not the ending.

P.S. – No doesn’t mean forever. It simply means, “Not right now.”

And on the topic of Not right now, whatever happened to you in the past is not happening now.

You will be safe behind your honest decisions and mood swings.

I promise.

-mraz
Berlin

Posted by mraz at 6:37 AM 103 comments

Part 1

It's not often I go to the library, but when he asked if I'd like to go study I decided there was no harm in saying yes. Studying is difficult, and if you're not stalling with music or a trail of humorous pictures on the internet, you just might find yourself stalling by staring at that girl you're with, realizing maybe she's something more than what you thought, and why hadn't you noticed it before?

I waited on one side of the door, sensing him just beyond the wood, trying to find ways to still my beating heart. But that's a task harder than studying when you've just watched him come back with your frappuccinos in hand, only to have a wayward book enthusiast stumble against him, and life moves in freeze-frame as the drinks bump and fall, your whipped cream sloping on his dark-wash jeans and dolloping on the floor followed by the bursting of one drink's lid and a free-fall of blood and it dawns on you something's amiss as the world speeds back up, your heart in your ears, everything suddenly sounding like Darth Vader breathing down your neck in triple time. The film over your ears is punctured by a scream you connect with his vocal tones and it hits you that you're watching grueling murder, the kind you find in comic books and bath salts, and instinct tells you run.

I kept my right hand pressed against the door, inches from the door knob, questioning anyone who ever designed a room without a peephole, hearing him paw at the wood in a frantic forgotten way as a clatter resonates from upstairs. Fight or flight doesn't offer much by way of cognitive choices when faced with the glassy eyes of the middle-aged man who gnawed out your soon-to-be-boyfriend's jugular. Perhaps it would have registered more clearly had I versed myself in first-person shooter games or high speed sports like racquetball. Nonetheless, I moved and went for the closest enclosed space I could find, and while it was an empty conference room, there was no rain check to be had and no backdoor to exit through. I was stuck in a twisted conundrum of starving now or starving later, the only altered implication being whether I died due to starving or starved due to dying.

Noche Nada

The sand cushions out around my soles, miniature billows of apocalyptic ash clouds, swarming a plague of ruin centimeters from my footfalls. It leaves a swan song in the fabric of my sneakers, a remnant of a lost time, holding out for the uncovering of archaeologists to comb and caress and discover why. I watch the sun glint along above me, a tracking system in the sky mapping my every move, hiding behind a canopy, leaving tattoos of shadows along my body.

I think about the way the clouds told me stories over the course of a day, an elongated sitcom sans subtitles. And there are breezes reminding me to breathe, and the steady heartbeat of my steps clarifies there's somewhere worth getting to, there's reason worth walking. And some sunset from now I'll find the mouth of a waterfall or a crystal blue lake and sit on the bank on a rock not smooth enough and know I'm home. But that's a sunset, miles away, and there are moons and dawns between. There's the breeze, the clouds, the checkerboard shade, and my feet carrying me through and beyond, leaving the path clear, muddled only by settled tsunamis of dust.

Unfold

Some of the things that make me want to blog are stupid.

This is one of those.

People ask me "Okay, well what's your favorite Jason Mraz song?"

How do you answer that? It seems stupid to say I really like all of them. And even the ones I have a lesser inclination toward are still significantly more enjoyable to me than most of what people splatter on the radio.

I just had a friend stapchat me that she was sad, and what do I do to feel better? I sent her a picture of this:

and included the title: Live at Java Joe's

Naturally I then had to go listen to it a little, because....seriously. If I ever experience an extreme tragedy or you see me sobbing for hours on end or am in a pit of depression, sit me down and play this album. It is almost a drug; more endorphins than you'd think a person could handle. I can't not be ecstatic when I hear this. Truly.

I started to notice a while back that one song seemed it hit me a little more than the others, but I'd convince myself no because those other songs are just toooooooo good.

It wasn't until he played it live in concert in 2012 (you know, hours after I'd met him) that I realized this was it. This was the favorite song. 

You see I wasn't expecting him to play it; it's only recorded on two live albums, there's no studio release of it. Oh, and the last time he'd regularly played it was, you know, 2004. 

Which I guess is actually a lie because this video I'm considering linking is from 2007. 

Like I said, it's dumb. But he just gets to me right in the creativity, so I have to share it. So I did. 

Now, please, treat yourself to a little Mraz music. (Please ignore the tools that think they know when the bell sounds come in. That's a sad thing that happens pretty much every time he does this song. Including when I saw it live. But I'm not bitter.) Just pay close attention to 3:03-3:31 for the best part. ESPECIALLY 3:20-3:29. That's where it's at. Literally my favorite moment in music history. The best nine seconds of your life. Seriously.

yet another untitled.

I can't imagine living
Where the seasons are the same;
My life would be so bitter
If I never had the change.
There's lightness in the snow that falls
And joy within the rain,
And a summer night is nothing short
Of healing spring's faint pain.

Each season gives a rinse, a dry,
To the way in which I'm seen:
Like a Sunday afternoon where
My spirit comes out clean.
I can't imagine living with
No sustenance, no change;
Where I am stuck with who I was
Before the water came.